Compare how poets present romantic relationships in ‘Love’s Philosophy’ and ‘Sonnet 29’

Reading Time: 5 minutes   Percy Shelley uses traditionally Romantic natural imagery to conjure an impression of a world coupled up, blissful in its togetherness, with the final persuasive implication that, therefore, the listener should also want to be a part of this happy pairing. Barrett-Browning’s poem is less happy, more questioning of her lover and determined to convince them that she is always thinking of them, as though answering an unheard accusation of forgetfulness. Shelley’s natural imagery creates a progressive sense of coming together. Verbs like “mingle”, “mix”, “kiss” and “clasp” are all sweet, gentle, even elegant, creating an impression of a caring …

Christmas presents for readers on #smallbizsatuk

Reading Time: 4 minutes Today is #SmallBizSatUK, an opportunity to talk about some of the great things that small businesses are doing around the country. And, as Christmas is coming up quickly (eek!) I thought I’d put together a list of some of the literary inspired gifts that I’ve either received or bought as gifts. I love supporting small independent business especially at this time of year when there’s so many craft fairs local to me here in West Yorkshire, and think it’s really important to try to balance where I buy from, especially gifts for others. Plus I can usually be pretty sure that …

Alan Bennett’s “The History Boys” – the importance of literature

Reading Time: 8 minutes Below is a pretty lengthy post, of an essay I wrote to discuss writing style with my Y11s in the run-up to their Christmas mocks.

“Literature is medicine, wisdom, elastoplast, everything”. How does Bennett presents the importance of the literature in the play?

Bennett’s conflicted representation of literature is perhaps startling coming from a man who is, after all, an accomplished and acclaimed writer. Hector’s viewpoint of literature as salvation, comfort, the ultimate distinguisher of humanity, is, after all, the way that writers would, we assume, like to view themselves: creating something of value within the world. However, by the end of the play a very different perspective emerges. Literature (with a capital ‘L’, as ascribed to works of canonical quality) and ‘popular culture’ become indistinguishable as Hector teaches the “tosh” of Gracie Fields and Brief Encounter alongside Larkin, Housman and Shakespeare. For the boys, literature loses its significance, echoing the ways in which the boys grow up and lose some of their admiration for the adults in their lives. The tragedy of Posner is the crucial answer to this question: he is searching for meaning, solace and comfort, and while he has all of the quotations from Hector he has none of the guidance he needs. Although as a writer, Bennett – like many others – might like to think his work has longevity and speaks to our humanity, he is also ruefully aware that for many, echoes of the past fall short.

If you’re studying The History Boys, I’ve also written a five-star revision guide that’s available for just £3!

Is Offred too passive to be satisfactory? (part 2)

Reading Time: 4 minutes Read part one of this blog here Thirty years of feminism later In the television series, Elisabeth Moss’s Offred is more feisty from the start, with out-loud sarcastic quips and internal bitchy comments. She still doesn’t fully rebel, but there is definitely something more spiky about her – a sense that she hasn’t given herself over to the regime of Gilead even for the self-protection that it offers: her mind is still her own. She offers comforting conversation to other handmaids, seeks out quiet private moments with the handmaids and Nick, and on several occasions bites back at Serena Joy’s …