Station Eleven: Unseen practice and sample answer

Reading Time: 6 minutes We’ve been working on unseen, close analysis for the Dystopian / genre question at A-Level. Because AO2 is such a focus, very closely pinning everything to the text has been essential. I’ve particularly made sure that we’re discussing narrative perspective/viewpoint, partly because I think it’s a complex idea which distinguishes high-level candidates, and partly because it gets to the real heart of AO2 in terms of how the text is being presented. Download the extract and this sample answer here. All my unseen questions are on my Dropbox folder — This extract from ‘Station Eleven, written in 2014, echoes contemporary concerns …

Drama/poetry pre-1900 – over 60 sample questions

Reading Time: < 1 minute

The below pdf includes over 60 example questions for the OCR A-Level paper on poetry and drama pre-1900, specifically the poetry/drama question. Although my students are studying Christina Rossetti and the Duchess of Malfi, I’ve formatted this so it’s in the form of statemetn/question which could be applied to any comparative texts.

OCR A Level essay questions 2017



Appropriation of Language in dystopian fiction

Reading Time: 8 minutes As an English teacher – and student, still, I think! – I love novels that engage with the idea of language itself. For me, literature’s how we enter and understand the world, and dystopian novels often bring that to the forefront. They explore communication, memory, story-telling, and the way that language works to soothe, manipulate, warn, and memorialise. In particular, I’ve been studying The Handmaid’s Tale and 1984 with A-Level students, and both novels have some interesting discussions about language’s role in our society. World-building Setting a novel in the future, as many speculative fictions do, language is a good …

Christina Rossetti’s Soeur Louise de la Misericord – Analysis

Reading Time: 7 minutes If you find this helpful check out my full Rossetti revision guide Soeur Louise: does desire destroy her, or does ageing destroy her desire? This is quite a tricky poem from Rossetti – partly, because she’s chosen a real person for her speaker, and partly The Duchess de Valliere – Soeur Louisebecause it’s not always clear whether or not desire is a terrible thing. It’s easy to think it is at first – “vanity of vanities”, burning life and love, leaving the garden a “barren mire” – ouch! But there’s also something there about not being able to feel desire …